World history, global history or transnational history (not to be confused with diplomatic or international history) is a field of historical study that emerged as a distinct academic field in the 1980s. It examines history from a global perspective. It is not to be confused with comparative history, which, like world history, deals with the history of multiple cultures on a global scale.
World historians use a thematic approach, with two major focal points: integration (how processes of world history have drawn people of the world together) and difference (how patterns of world history reveal the diversity of the human experiences).
The study of world history, as distinct from national history, has existed in many world cultures. However, early forms of world history were not truly global, and were limited to only the regions known by the historian.
In Ancient China, Chinese world history, that of China and the surrounding people of East Asia, was based on the dynastic cycle articulated by Sima Qian in circa 100 BC. Sima Qian's model is based on the Mandate of Heaven. Rulers rise when they united China, then are overthrown when a ruling dynasty became corrupt. Each new dynasty begins virtuous and strong, but then decays, provoking the transfer of Heaven's mandate to a new ruler. The test of virtue in a new dynasty is success in being obeyed by China and neighboring barbarians. After 2000 years Sima Qian's model still dominates scholarship, although the dynastic cycle is no longer used for modern Chinese history.
In 1998, KMG Records released World History, a collection of songs from the first six albums, but not The Dreamland Café. It "downplayed the heavy guitars" and "brought to the forefront the picturesque vocal flair of Roger Rose." In the liner notes it states: "The unifying thread is the Rose brothers' great writing, vocals, arrangements and spiritual challenges to take control of your life by following God's plan." Writing for Phantom Tollbooth, Sam Hagadorn listed it as one of his ten best albums of 1998.
Both the Phantom Tollbooth and HM Magazine have referenced the disc as having re-recorded songs, but this is denied on the band's website.
All songs written by Roger Rose except "Marshmallow Land" written by Randy Rose